Originally published by order of Napoleon Bonaparte and printed between 1809-1828, the original Description of Egypt is one of the masterworks of the printed book. The twenty volumes (10 of plates, 1 atlas, 9 text) were printed by the atelier Rémond, founded in Paris in 1793…the successor in intrest to this historic press is the atelier Didier Mutel, aptly named as it is home to master printer and engraver, Didier Mutel. Approximately 200 years later, Didier is breathing life into a reinterpretation of this historic and remarkable work.

The original was a benchmark in printing of the day, emblematic and historically and technically remarkable. Didier’s intent with this new project is both a homage and an extension…the bite of acid upon copper expanding to envelop digital contextualization. Where the original explored architecture on the grand scale, the new begins with an exploration of faces on the micro scale. For each of the 28 plates associated with the first volume (Blindness), Didier created a unique face…and then engraved 16 iterations of each plate. Though each engraving stands alone, their evolution(s) in series quite literally transforms them [seriously, don't miss this wonderful bit of etched animation].

Didier’s blog posts on the creation of the first book (in two volumes) can be found here (complete with unicorn pictures) and a .pdf description can be found here. It will be an edition of 15 copies and likely to be at least 10 volumes issued over the next 8-10 years. Please contact us if you would like further information about what is very likely to be a defining work of 21st century book art. 

 

The Isle of San Serriffe

The Guardian, in a moment of brilliance, created a special section exploring the wonders of San Serriffe. As illustrated, its two main islands were named Upper Caisse and Lower Caisse. Its capital was Bodoni, and its leader was General Pica. It is number five on the list of 100 great hoaxes, but clearly it should be number one.

Created in 1977, it started as a single page idea that grew into a full seven page “Special Section” that included a number of articles, sidebars, and advertiser joining in on the lark.

Articles included:

“Three point key to prosperity” by Geoffrey Taylor, which described how San Serriffe’s economy had boomed thanks to the phosphate industry, tourism, and oil.

“The block vote which resulted in industrial peace” by John Torode, which discussed San Serriffe’s unique solution to union/management cooperation—all collective agreements on the island expire on the same day each year and are personally renegotiated by Antonio “Che” Pica, second cousin of the President.

“The leader’s rise to power” by Mark Arnold-Forster, which discussed how Maria-Jesu Pica, San Serriffe’s young President-for-life, came to power following an almost bloodless coup on May 11, 1971.

“Bold expansion in tourism” by Adrienne Keith Cohen, which discussed the many tourist attractions of San Serriffe, including a diverse mix of cultures, modern highways, air-conditioned hotels, and beaches “from which terrorism has been virtually eliminated.”

“Transposed by the tides” by Anthony Tucker, which discussed San Serriffe’s unique geological characteristic—the constant eastward movement of the islands caused by tidal erosion.

“Casting off into unknown wealth” by Victor Keegan, which discussed San Serriffe’s transformation from a small agricultural economy into an industrial steel-exporting force to be reckoned with.

“Spiking the cultural roots” by Tim Radford, which discussed the cultural heritage of San Serriffe’s indigenous people, the Flongs, focusing on their unique celebration, the Festival of the Well Made Play. During this festival “local committees of Flongs and islanders of European extraction combine enthusiastically to mount the complete cycle of plays by William Douglas-Home in English, Caslon, and Ki-flong.”

Sidebars in the supplement included “Guide to the Republic” and “Landmarks in History.” These offered brief details about San Serriffe’s demographics, geography, and history.

Bonus: San Serriffe haikus:

Typesetters may dream
Of the idyllic landscape’d
Isles of San Serriffe

Off in “San Seriffe”
the islands keep on moving
through imagined seas.

 

I just catalogued a lovely little collection of marks designed by Clarence P. Hornung (this, the 1930 Trade-Marks). Well over half are bibliophilic and many/most well known. I liked them, so I thought I’d scan and post them. Enjoy.

 

I strongly encourage you to head over to I Love Typography for an interesting and detailed history of what went into the creation of the rather pleasing font, Armitage. James Puckett started with the engaging forms from “The Claremount” and Armitage was the result. His description of the process and iterations is really quite interesting.  

Mar 032010
 

Suzanne has agreed that if I go bald, I get to have my own Typosexual mohawk. As the glasses do not do much for me, I think I will go for magnetic sub-dermal implants.

It is the creation of typographic artist Oded Ezer. Brilliant.

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